Department of Architecture
The Department of Architecture offers degrees at the bachelor, master, and doctoral levels. The department is composed of various discipline groups: Architecture and Urbanism; Building Technology; Computation (COMP); History, Theory and Criticism of Architecture and Art (HTC); and the Art, Culture, and Technology Program (ACT). The Aga Khan Program in Islamic Architecture (AKPIA) is a research group offering its own Master of Science in Architecture Studies and a PhD in association with HTC. The Norman B. Leventhal Center for Advanced Urbanism (LCAU) supports the doctoral program in advanced urbanism in addition to acting as an umbrella for research initiatives and collaborative projects between the Departments of Architecture and Urban Studies and Planning. The varied discipline areas support substantial research activity.
The department offers seven degree programs: the Bachelor of Science in Architecture (BSA), Bachelor of Science in Art and Design (BSAD), Master of Architecture (MArch), Master of Science in Architecture Studies (SMArchS), Master of Science in Building Technology (SMBT), Master of Science in Art, Culture, and Technology (SMACT), and the Doctor of Philosophy (PhD). The SMArchS and PhD programs offer concentrations in multiple research streams.
Architecture and Urbanism is taught from a broad range of perspectives and scales, from buildings to cities and metropolitan regions. The teaching of the Architecture and Urbanism faculty occurs primarily in the studio. However, workshops, lectures, seminars, and research projects all contribute to architectural education. A broad range of topics are introduced and integrated in the curriculum, including sustainability, computation, materials, fabrication, infrastructure, politics, social engagement, and cultural theory. The architecture design studio is the laboratory where these topics intermingle and students synthesize design concepts. The Architecture and Urbanism area of study offers a BSA, a BSAD, a Minor in Architecture, a Minor in Design, a HASS Concentration in Design, and MArch and SMArchS degrees.
The undergraduate Bachelor of Science in Architecture (BSA) is a pre-professional degree program. The undergraduate studio sequence begins with instruction in design fundamentals and continues with design projects of increasing complexity. It is useful for those seeking a foundation in the field of architecture as preparation for either continued education in a professional degree program or employment options in fields related to architecture and design.
The Bachelor of Science in Art and Design (BSAD) provides undergraduates with a cohesive program of study that exposes them to cross-disciplinary fields in art and design. It provides a rigorous conceptual foundation along with strong practical skills that can be applied across diverse design domains. Students are introduced to the design process, from concept to completion, through contextual critical thinking, experimentation, representation, and physical production techniques, critique, iteration, and reflection. The objective is to prepare students to pursue diverse career paths from product design and visual communication to information design and 2D and 3D art practices and more. Study in this program enables students to take advantage of emerging opportunities in industry and academia.
The MArch is a three-and-a-half-year graduate degree. This professional degree is structured to educate those who aspire to register and become licensed as architects. Entering MArch students enroll in a three-term core program that is tightly integrated with complementary subjects in design skills, cultures of forms, cultural and theoretical precedents, and materials and construction. Advanced "option" studios give students the opportunity to broaden their experience of culture, contexts, and varying scales for design as well as develop their own attitudes and positions toward architectural production. In thesis, a student develops a hypothesis and design strategy for a comprehensive architectural project or a design research inquiry that is carried out as an independent, critical project—from concept to completion—under the guidance of an advising committee.
Building Technology (BT) includes teaching and applications of the fundamentals of technology as well as research in critical topics for the future of the built environment. The group explores ways to use design and technology to create buildings that contribute to a more humane and environmentally responsible built world. This includes integrated architectural design strategies to improve structural performance, construction, and fabrication technologies; access to daylight and thermal comfort; resource accounting through material flow analysis and life-cycle assessment; building and urban energy modeling, control design, and engineering; and other technologically informed design methods. Through lecture subjects, laboratories, workshops, and independent research projects, students study innovative materials and assemblies, emerging and nontraditional building materials, resource-efficient building systems, innovative analysis and modeling of historic structures, energy-efficient buildings, early-stage design computation and optimization, and various issues of energy and material resources at the urban scale, including urban environmental sensing and the urban heat island effect. Some of the group's research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, or sustainable design. Research facilities of other departments, such as Mechanical Engineering and Civil and Environmental Engineering, are also used in joint research projects.
This area of study offers SMBT, SMArchS, and doctoral degrees with an emphasis on building technology.
The Computation (COMP) group inquires into the varied nature and practice of computation in architectural design and the ways in which design meaning, intentions, and knowledge are constructed through computational thinking, representing, sensing, and making. The group focuses on the development of innovative computational tools, processes, and theories as well as their application in creative, socially meaningful responses to challenging design problems. Topics taught cover visualization, digital fabrication and construction processes and technologies, shape representation and synthesis, building information modeling, generative and parametric design, critical studies of digital and information technologies, digital heritage, and software and hardware development of advanced tools for spatial design and analysis. Students are encouraged to acquire both the technical skills as well as the theoretical and conceptual foundations to rethink and challenge the limits of current design processes and practices, in addition to considering the social and cultural implications of their positions.
This area of study offers a SMArchS degree and a doctoral program. SMArchS and PhD students are encouraged to take subjects in other relevant departments as a means to explore and develop their interests.
The History, Theory and Criticism of Architecture and Art (HTC) group teaches subjects that deal with the history of architecture, art, and design, strongly emphasizing historiography and analytical methodologies. Subject offerings deal with the social and physical context of the built environment; significant issues in current disciplinary thinking; and the philosophical, political, and material contexts for works of art and architecture. Subjects are taught from the Renaissance to the present, with emphasis on topics of modern art and architecture. The subjects focus on materials that are both abstract and concrete, with scales that range from architectural drawing to art installation to the urban environment. There is a special emphasis on topics of modern art and architecture in Europe as well as the Americas, with a comparable set of offerings on the Islamic world developed by AKPIA faculty and taught within the HTC group.
HTC offers both a HASS concentration and a Minor in the History of Architecture, Art and Design which are open to all MIT undergraduates. There is an SMArchS degree in HTC, and a doctoral program.
The Aga Khan Program for Islamic Architecture (AKPIA) at MIT is a graduate program dedicated to the study of architecture, urbanism, history, landscape, reconstruction, and conservation in the Islamic world. The program prepares students for careers in research, design, and teaching. Topics covered in its curriculum include critical study of the history and historiography of Islamic architecture; the interaction between architecture, society, and culture; and strategies of urban and architectural preservation.
Established in 1979, AKPIA offers students a concentration in Islamic architecture and urbanism as part of the two-year SMArchS degree and the PhD program in HTC. The program also has links with the City Design and Development as well as Environmental Planning and Policy programs in the Department of Urban Studies and Planning, ArchNet, the Aga Khan Programs at Harvard, the Aga Khan Trust for Culture (AKTC), and the Aga Khan Development Network (AKDN).
The Art, Culture, and Technology Program (ACT) promotes leadership in critical artistic practice and invention, developing art as a vital means of experimenting with new registers of knowledge and new modes of valuation and expression. Through an integrated approach to pedagogy, public events programming, exhibitions, and publications, ACT builds a community of artist-thinkers exploring art's complex relationship to culture and technology.
Research and pedagogy are intertwined, and MIT's culture of scientific inquiry informs all artistic arenas (cinema, video, sound, performance, photography, experimental media, and new genres); conceptual, sculptural, and spatial experiments; interventions in public spaces; and writings and publications. ACT emphasizes experimentation and transdisciplinary approaches to studio production in both traditional and new media. Students are required to learn the techniques and applications of computational-based design, production, and advanced representation. Other computation subjects and studio work permit further experimentation with modeling techniques, graphic representations, design methods, technical analysis, prototyping, and assistance with the design process. Students consider both the physical and the cultural context of their artworks/projects as central to their interpretation. Presentations on contemporary art, discussions in theory and criticism, and an understanding of research-based artistic practice complement studio production.
ACT offers a HASS minor, a HASS concentration, and a two-year graduate program leading to an SM.
Inquiries
Further information concerning undergraduate and graduate academic programs in the department, admissions, financial aid, and assistantships may be obtained from the Department of Architecture, Room 7-337 or by emailing arch@mit.edu.
Bachelor of Science in Architecture (Course 4)
Bachelor of Science in Art and Design (Course 4-B)
Undergraduate Study
The Department of Architecture offers two undergraduate courses of study. They provide a broad undergraduate education for students who have clear professional goals and for those who desire a solid foundation for a number of possible careers. Course 4 leads to the Bachelor of Science in Architecture and Course 4-B leads to the Bachelor of Science in Art and Design.
Bachelor of Science in Architecture (Course 4)
Course 4 offers a program introducing students to architecture through the department's five discipline areas: art, culture, and technology; architectural design and urbanism; building technology; design and computation; and history, theory and criticism of architecture, art and design.
The requirements for the SB in Architecture (BSA) curriculum begin with two introductory subjects taken in sequence, 4.021 and 4.022 , intended for sophomores. The remaining core subjects include introductory study in the five discipline areas.
The BSA includes two sequential architecture design studios. The approach fosters investigation and discussion in the development of sensitivity to the built environment. These sensibilities are linked to values and responsibilities to the community at large. Students in design studios develop technical and analytical skills and learn synthesis and invention using the elements of architectural form: material, structure, construction, light, sound, memory, and place. A thesis is completed during the senior year.
This program prepares students for future studies in a professional Master of Architecture (MArch) program.
Bachelor of Science in Art and Design (Course 4-B)
The Bachelor of Science in Art and Design (BSAD) provides undergraduates with a cohesive program of study that exposes them to cross-disciplinary fields in art and design. It provides a rigorous conceptual foundation along with strong practical skills that can be applied across diverse design domains. Students will be introduced to the design process, from concept to completion, through contextual critical thinking, experimentation, representation, and physical production techniques, critique, iteration, and reflection. The objective is to prepare students to pursue diverse career paths from product design to visual communication to information design to 2D and 3D art practices and more. Study in this program will enable students to take advantage of emerging opportunities in industry and academia.
The requirements for the BSAD curriculum begin with two introductory subjects taken in sequence, 4.021 and 4.053 , intended for sophomores. A choice of a third design studio is taken in the junior year along with four additional core foundational subjects in design, art, computation, and history. The remaining four requirements are selected from a list of interdisciplinary subject offerings grouped around the following themes: objects, information, and art and experience. A thesis preparation subject is required and a thesis is presented in the senior year.
Minor in Architecture
The requirements for a Minor in Architecture are as follows:
| 4.021 | Design Studio: How to Design | 9-12 |
| or 4.02A | Design Studio: How to Design Intensive | |
| 4.022 | Introduction to Architectural Design Techniques | 12 |
| Choose one of the following options: | 48 | |
Option 1 | ||
| Architecture Design Studio I | ||
Select two from the list of elective subjects below | ||
Option 2 | ||
Select four from the list of elective subjects below | ||
| Total Units | 69-72 | |
| Elective Subjects | ||
| Architecture and Urbanism | ||
| 4.041 | Design Studio: Advanced Product Design | 12 |
| 4.053 | Visual Communication Fundamentals | 12 |
| 4.211[J] | The Once and Future City | 12 |
| 4.218 | Disaster Resilient Design | 12 |
| 4.250[J] | Introduction to Urban Design and Development | 12 |
| Art, Culture and Technology | ||
| 4.301 | Introduction to Artistic Experimentation | 12 |
| 4.302 | Foundations in Art, Design, and Spatial Practices | 12 |
| 4.307 | Art, Architecture, and Urbanism in Dialogue | 12 |
| 4.322 | Introduction to Three-Dimensional Art Work | 12 |
| 4.341 | Introduction to Photography and Related Media | 12 |
| 4.344 | Advanced Photography and Related Media | 12 |
| 4.354 | Introduction to Video and Related Media | 12 |
| 4.356 | Cinematic Migrations | 12 |
| 4.368 | Studio Seminar in Art and the Public Sphere | 12 |
| 4.373 | Advanced Projects in Art, Culture, and Technology | 12 |
| Building Technology | ||
| 4.401 | Environmental Technologies in Buildings | 12 |
| 4.411[J] | D-Lab Schools: Building Technology Laboratory | 12 |
| 4.432 | Modeling Urban Energy Flows for Sustainable Cities and Neighborhoods | 12 |
| 4.440[J] | Introduction to Structural Design | 12 |
| 4.451 | Computational Structural Design and Optimization | 12 |
| Computation | ||
| 4.500 | Design Through Computation and Making | 12 |
| 4.501 | Tiny Fab: Advancements in Rapid Design and Fabrication of Small Homes | 12 |
| 4.502 | Advanced Visualization: Architecture in Motion Graphics | 12 |
| 4.507 | Introduction to Building Information Modeling in Architecture | 12 |
| 4.520 | Visual Computing | 12 |
| History and Theory of Architecture, Art and Design | ||
| 4.601 | Introduction to Art History | 12 |
| 4.602 | Modern Art and Mass Culture | 12 |
| 4.603 | Understanding Modern Architecture | 12 |
| 4.605 | A Global History of Architecture | 12 |
| 4.609 | Seminar in the History of Art, Architecture, and Design | 12 |
| 4.614 | Introduction to Islamic Architecture | 12 |
| 4.635 | Early Modern Architecture and Art | 12 |
| 4.636 | Topics in European Medieval Architecture and Art | 12 |
| 4.651 | Art Since 1940 | 12 |
| 4.657 | Design: The History of Making Things | 12 |
Minor in Art, Culture, and Technology
The HASS Minor in Art, Culture, and Technology is designed to explore the conjunction of art with culture, science, technology, and design, and to develop critical and production practices.
The minor consists of six subjects arranged into three levels of study and chosen as follows:
| Tier I | ||
| 4.301 | Introduction to Artistic Experimentation | 12 |
| or 4.302 | Foundations in Art, Design, and Spatial Practices | |
| Select one of the following: | 12 | |
| Introduction to Art History | ||
| Modern Art and Mass Culture | ||
| Early Modern Architecture and Art | ||
| Topics in European Medieval Architecture and Art | ||
| 19th-Century Art: Painting in the Age of Steam | ||
| Art Since 1940 | ||
| Design: The History of Making Things | ||
| Tier II | ||
| Select two of the following: | 24 | |
| Introduction to Sound Creations | ||
| Introduction to Three-Dimensional Art Work | ||
| Introduction to Photography and Related Media | ||
| Introduction to Video and Related Media | ||
| Tier III | ||
| Select two of the following: | 18-24 | |
| Advanced Workshop in Artistic Practice and Transdisciplinary Research | ||
| Advanced Photography and Related Media | ||
| Advanced Video and Related Media | ||
| Cinematic Migrations | ||
| Performance Art Workshop | ||
| Studio Seminar in Art and the Public Sphere | ||
| Advanced Projects in Art, Culture, and Technology | ||
| Total Units | 66-72 | |
Minor in Design
The Minor in Design provides undergraduates with a cohesive program of study that exposes them to the cross-disciplinary field of design. The minor provides a rigorous conceptual foundation in design along with strong design skills. Students will be introduced to design from concept to completion through contextual critical thinking, experimentation, representation, and physical production techniques, critique, iteration and reflection. The minor prepares students to pursue diverse career paths or further education in multiple areas of design, from product design to 3D design to visual communication, and enables them to take advantage of emerging opportunities in industry and academia.
The minor consists of six subjects:
| Required Subjects | ||
| Design Studios | ||
| 4.021 | Design Studio: How to Design | 9-12 |
| or 4.02A | Design Studio: How to Design Intensive | |
| 4.053 | Visual Communication Fundamentals | 12 |
| 4.031 | Design Studio: Objects and Interaction 1 | 12 |
| or 4.032 | Design Studio: Information Design and Visualization | |
| Electives | ||
| Select 30-36 units of the following (from any category): | 30-36 | |
| Objects | ||
| Designing for the Future: Earth, Sea, and Space | ||
| Toy Product Design | ||
| Introduction to Design | ||
| Design and Manufacturing I 2 | ||
| Design and Manufacturing II | ||
| The Product Engineering Process 2 | ||
| D-Lab: Design for Scale | ||
| Medical Device Design | ||
| Design Studio: Objects and Interaction 1 | ||
| Design Studio: Advanced Product Design | ||
| Design Studio: Interaction Intelligence | ||
| Design Across Scales and Disciplines | ||
| Creative Computation | ||
| Computational Structural Design and Optimization | ||
| Tiny Fab: Advancements in Rapid Design and Fabrication of Small Homes | ||
| Design: The History of Making Things | ||
| D-Lab: Design 2 | ||
| Information | ||
| Design Studio: Information Design and Visualization 1 | ||
| The Human Factor in Innovation and Design Strategy | ||
| Design Through Computation and Making | ||
| Advanced Visualization: Architecture in Motion Graphics | ||
| Visual Computing | ||
| Software Design 2 | ||
| Computer Graphics 2 | ||
| Digital and Computational Photography 2 | ||
| Introduction to Design Thinking and Innovation in Engineering | ||
| Interactive Data Visualization and Society | ||
| Visual Design 2 | ||
| Data Storytelling Studio | ||
| Digital Humanities: Topics, Techniques, and Technologies | ||
| Art and Experience | ||
| Introduction to Artistic Experimentation | ||
| Foundations in Art, Design, and Spatial Practices | ||
| Art, Architecture, and Urbanism in Dialogue | ||
| Introduction to Sound Creations | ||
| Introduction to Three-Dimensional Art Work | ||
| Introduction to Photography and Related Media | ||
| Introduction to Video and Related Media | ||
| Modern Art and Mass Culture | ||
| Fundamentals of Theater Design | ||
| Drawing for Designers | ||
| Interactive Design for Live Performance | ||
| Total Units | 63-72 | |
| 1 | 4.031 or 4.032 may be used as restricted elective if not selected as part of the design studio requirement. |
| 2 | Subject has prerequisites that are outside of the program. |
Minor in the History of Architecture, Art and Design
The HASS Minor in the History of Architecture, Art and Design is designed to enable students to concentrate on the historical, theoretical, and critical issues associated with artistic and architectural production. Introductions to the historical frameworks and stylistic conventions of art and architectural history are followed by more concentrated study of particular periods and theoretical problems in visual culture and in cultural history in general.
The minor consists of six subjects arranged into three levels of study and chosen as follows:
| Tier I 1 | ||
| 4.601 | Introduction to Art History | 12 |
| or 4.602 | Modern Art and Mass Culture | |
| 4.605 | A Global History of Architecture | 12 |
| or 4.614 | Introduction to Islamic Architecture | |
| Tier II | ||
| Select three from the lists below, including at least one from each category: | 36 | |
History of Architecture and Design | ||
| Understanding Modern Architecture | ||
| A Global History of Architecture 1 | ||
| Introduction to Islamic Architecture 1 | ||
| Design: The History of Making Things | ||
History of Art | ||
| Introduction to Art History 1 | ||
| Modern Art and Mass Culture 1 | ||
| Early Modern Architecture and Art | ||
| Topics in European Medieval Architecture and Art | ||
| 19th-Century Art: Painting in the Age of Steam | ||
| Art Since 1940 | ||
| Tier III | ||
| Select one of the following: | 12 | |
| Seminar in the History of Art, Architecture, and Design | ||
Other advanced seminar in the history of art, design and/or architecture, including offerings from Harvard or Wellesley, with permission of the HASS Minor Advisor and the instructor. | ||
| Total Units | 72 | |
| 1 | Can satisfy part of Tier I or Tier II requirement, but not both. |
For a general description of minors, see Undergraduate Education.
Master of Science in Architecture Studies
Simultaneous Master's Degrees in Architecture and City Planning
Master of Science in Building Technology
Graduate Study
The Department of Architecture offers five graduate degree programs—the Master of Architecture (MArch), Master of Science in Architecture Studies (SMArchS), Master of Science in Building Technology (SMBT), Master of Science in Art, Culture, and Technology (SMACT), and the Doctor of Philosophy (PhD).
Master of Architecture
The professional Master of Architecture (MArch) degree program—structured to educate those who aspire to registration and licensure as architects—is diverse and open-ended, with many avenues of appropriate research and practice of architecture available. Areas of faculty inquiry include materials, fabrication, and technology; drawing and geometry; theory and criticism; sustainability and climate change; and culture in an age of rapid change and globalization. Additional areas of concern include design as it engages related disciplines aligned with architectural production; the environment as an ecologically structured phenomenon; the fabrication processes of building; new technologies and their impact on practice; and the spatial, temporal, social, and urban contexts of buildings. Given the varied perspectives from which the curriculum is conceived, an important aspect of the student's development is the ability to establish links between different areas of focus and architecture's many disciplines.
The general requirements for the MArch degree are cited in the section on General Degree Requirements for graduate students. The MArch degree program comprises graduate-level architecture design studios and supporting subjects central to the curriculum. The professional curriculum specifies that students study a range of subjects in several interrelated fields, and required and elective subjects in the department's various discipline groups and in related departments offer multiple paths for future professional possibilities.
The three-term core program is tightly integrated with complementary subjects in design skills, cultures of form, cultural and theoretical precedents, and materials and construction. Advanced "option" studios give students the opportunity to broaden their experience of culture, contexts, and varying scales for design, and to develop their own attitudes and positions toward architectural production. Students are expected to develop a cohesive structure for their individual educational interests within the MArch program beyond the core curriculum and toward the development of a design thesis. In thesis, a student develops a hypothesis and design strategy for a comprehensive architectural project or a design research inquiry that is carried out as an independent, critical project—from concept to completion—under the guidance of an advising committee.
The Master of Architecture is awarded upon the satisfactory completion of an approved program of at least 282 units and an acceptable thesis. The program requires three-and-a-half academic years of residence.
Accreditation for MArch Programs in the United States
Most state registration boards require a degree from an accredited professional degree program as a prerequisite for licensure. The National Architectural Accrediting Board (NAAB), which is the sole agency authorized to accredit US professional degree programs in architecture, recognizes three types of degrees: the Bachelor of Architecture, the Master of Architecture, and the Doctor of Architecture. A program may be granted a six-year, three-year, or two-year term of accreditation, depending on the extent of its conformance with established educational standards. Doctor of Architecture and Master of Architecture degree programs may consist of a preprofessional undergraduate degree and a professional graduate degree that, when earned sequentially, constitute an accredited professional education. However, the preprofessional degree is not, by itself, recognized as an accredited degree. The Massachusetts Institute of Technology Department of Architecture offers one NAAB-accredited degree program: MArch (non-preprofessional degree plus 282 units and an acceptable 24-unit thesis). The next accreditation visit is in 2031.
Master of Science in Architecture Studies
The Master of Science in Architecture Studies (SMArchS) is a two-year degree program of advanced study founded on research and inquiry in architecture as a discipline and as a practice. The program is intended both for students who already have a professional degree in architecture and those interested in advanced non-professional graduate study. The degree may be pursued in one of six concentration areas described below. Students select one area as their intellectual home but are encouraged to explore connections in their research across the other areas as well as beyond—to other programs and departments throughout MIT. SMArchS students work closely with one or more instructors who guide them in planning their course of study and direct them purposefully towards a thesis. Notable strengths of the program are its range of concentration areas, its curricular flexibility, and cross-disciplinary research focus, as well as its high instructor-to-student ratio.
The Aga Khan Program for Islamic Architecture (APKIA) at MIT is dedicated to the study of architecture, urbanism, art, art and architectural history, landscape, reconstruction, and conservation in the Islamic world. The program prepares students for careers in research, art and architectural practice, and teaching. Topics covered in its curriculum include critical study of the history and historiography of Islamic architecture; urbanism in the Global South; the interaction between architecture, society, and culture; critical art practice; and heritage studies and strategies of urban and architectural preservation.
The Architectural Design concentration nurtures research that contributes to current thinking about design in the field of architecture. It aims to advance architectural design by cultivating lateral thinking between design expertise and a range of allied fields, such as material sciences, media arts and technology, cultural studies, computation, sustainability, and emerging fabrication protocols. This concentration provides opportunity for designers to explore theoretical foundations of architectural design as well as its pedagogy, and to provide a platform for applied research and new forms of design practice.
Building Technology focuses on the intersection of design and technical issues for buildings that positively contribute to a more humane and environmentally responsible built world. Research within the group includes integrated architectural and urban design strategies to improve structural performance, construction and fabrication technologies, access to daylight and thermal comfort, resource accounting through material flow analysis and the life-cycle assessment, building and urban energy modeling, control design and engineering, and other technologically informed design methods. Some of the research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, sustainable design.
The Computation and Design group inquires into the varied nature and practice of computation in architectural design and the ways in which design meaning, intention, and knowledge are constructed through sensing, thinking, and making computationally. It focuses on developing innovative computational tools, processes, and theories, and applying them in creative and socially meaningful responses to challenging design problems.
SMArchS students in History, Theory and Criticism of Architecture and Art (HTC) will expand upon prior experience (which can be in design, theory, history, practice, or other post-undergraduate work) to explore compelling research that links historical or contemporary topics with methodological issues. Working alongside doctoral students in the program, SMArchS HTC students are exposed to a wide range of historical periods and theoretical approaches. It is expected that research topics will be developed in close discussion with HTC faculty, building on the required methodology seminar (taken twice) to clarify the appropriate scope and original sources required for the master's thesis. The HTC program is interdisciplinary, and students are expected to enrich their core disciplines of history and theory with inquiry into other fields as appropriate for their research interests. Opportunities occasionally emerge for HTC students to become involved in editing, organizing research symposia, or preparing exhibitions; students will also be brought into discussion with colleagues from across the discipline groups in the SMArchS program.
In Urbanism, research and design methods are employed to create new knowledge about cities and metropolitan regions as well as contribute to contemporary thinking and research on the future of cities and the urban environment at large. The concentration encompasses the theory and practice of urban design. This concentration has close collaboration with the Department of Urban Studies and Planning's City Design program and with the Norman B. Leventhal Center for Advanced Urbanism.
Simultaneous Master's Degrees in Architecture and City Planning
Students admitted to the Department of Architecture can propose a program of joint work in Architecture and Urban Studies and Planning that will lead to the simultaneous award of two degrees. Degree combinations may be MArch/Master in City Planning (MCP) or SMArchS/MCP. SMArchS students must apply by the January admissions of their first year at MIT. MArch students must apply during their second year. Students are considered during the regular admissions process. All candidates for simultaneous degrees must meet the requirements of both programs, but may submit a joint thesis. Neither the Department of Architecture nor the Department of Urban Studies and Planning support study plans for the simultaneous award of two Masters degrees with less than one or two regular semesters (fall and spring terms only) of residence and registration beyond the time required to complete the first degree.
Master of Science in Building Technology
This program provides a focus for graduate students interested in the development and application of advanced technology for buildings and cities. Students in this program take relevant subjects in basic engineering disciplines along with subjects that apply these topics to the built environment. The program is open to qualified students with a degree in engineering or in architecture. The latter group may also consider the Master of Science in Architecture Studies Program with a concentration in Building Technology.
The program concentrates on the development of the next generation of technology for the built environment as well as the innovative application of state-of-the-art concepts to building and urban systems. Research topics within the group include integrated architectural and urban design strategies to improve structural performance, construction and fabrication technologies, access to daylight and thermal comfort, resource accounting through material flow analysis and life-cycle assessment, building and urban energy modeling, control design and engineering as well as other technologically-informed design methods. Some of the research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, and sustainable design.
The SMBT degree is generally completed in two years and requires 66 units of coursework and the completion of an acceptable thesis.
Master of Science in Art, Culture, and Technology
The Art, Culture, and Technology Program (ACT) encompasses an academic degree program and a research center that facilitates artist-thinkers' exploration of art's broad, complex, global history in conjunction with culture, science, technology, and design via rigorous critical artistic practice and practice-driven theory. It focuses on individual and collaborative forms and media, including cinema, video, sound, performance, photography, experimental media and new genres, writings and publications, and conceptual, sculptural, and spatial experiments. Emphasis is also placed on critical thinking, knowledge mining, creative engagement, and the exploration of changing public and private spheres. Participation in faculty research, collaborations within the Institute, connections with visitors, and an ongoing studio seminar provide students with many opportunities to develop and exchange ideas. ACT maintains the Center for Advanced Visual Studies (CAVS) Special Collection, which preserves the legacy of the center and serves as a resource for scholars.
The Master of Science in Art, Culture, and Technology requires four semesters of on-campus academic work, including 135 units of coursework and the completion of a written thesis. For more information, visit the ACT website.
Doctor of Philosophy
The PhD in Architecture may be pursued in one of the following areas: History and Theory of Architecture/History and Theory of Art; Building Technology; or Design and Computation.
The PhD in Architecture may be pursued in one of the following areas: History and Theory of Architecture/History and Theory of Art; Building Technology; or Design and Computation.
The PhD program in History, Theory and Criticism of Architecture and Art emphasizes the study of art, architecture, and urbanism, together with the historical and methodological issues that inform or link conceptual and practical work. The Aga Khan Program for Islamic Architecture is part of this doctoral program.
The doctoral program in Building Technology concentrates on the development of the next generation of technology for the built environment as well as the innovative application of state-of-the-art concepts to building and urban systems. Research topics within the group include integrated architectural and urban design strategies to improve structural performance, construction and fabrication technologies, access to daylight and thermal comfort, resource accounting through material flow analysis and life cycle assessment, building and urban energy modeling, control design and engineering as well as other technologically-informed design methods. Some of the research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, and sustainable design.
The PhD program in Design and Computation is broadly conceived around computational ideas and digital technologies as they pertain to the understanding, description, generation, and construction of architectural form. Research topics include the mathematical foundations of shape and shape representation; generative tools for design synthesis; advanced modeling and visualization techniques; rapid prototyping and CAD/CAM technologies for physical fabrication; and the analysis of the design process and its enhancement through supporting technologies and workspaces. The mission of the program is to enrich design from a computational perspective, with clear implications for teaching and practice.
Admission and degree requirements vary somewhat in the specific areas listed above, and may be obtained from the Department of Architecture website or in correspondence with the separate areas. The residency requirement for the PhD is a minimum of two full academic years. Completion of all of the requirements for the PhD—including the dissertation—is usually accomplished in four to six years.
Each student admitted to work in the doctoral program consults closely with one principal professor in his or her area to develop a general plan of study. In all three areas, progress toward the PhD follows a sequence of required subject work, general examinations, and dissertation research, writing, and defense. Students are encouraged to take subjects appropriate to their study plans in other departments at MIT and at Harvard.
The Norman B. Leventhal Center of Advanced Urbanism (LCAU), the Department of Architecture, and the Department of Urban Studies and Planning (DUSP) have established a collaborative doctoral-level certificate program in Advanced Urbanism. At MIT, we speak of advanced urbanism as the field that integrates research on urban design, urbanization, and urban culture. The concentration in Advanced Urbanism is designed for those who have at least one professional design degree (in architecture, landscape architecture, urban design, etc.) and research interests in urbanism that would align with those of both architecture and urban studies and planning faculty. Admissions applications are submitted to either Building Technology; Design and Computation; History, Theory and Criticism of Architecture and Art; or the DUSP PhD program and must meet all specific admissions requirements of each respective PhD program. Admissions committees nominate applicants who fit the urbanism program to a joint advanced urbanism admissions committee. The selected applicants are admitted by their home department discipline group and fulfill all degree requirements of that discipline plus additional requirements for the Advanced Urbanism concentration. Tuition support and research assistantships are provided by LCAU. Additional information can be found on the LCAU website.
Urban Design Certificate
The Department of Architecture and the Department of Urban Studies and Planning jointly offer a Certificate in Urban Design. The purpose of the program is to provide the fundamental knowledge and special skills required to design urban and suburban environments. Students in the MArch, SMArchS, MCP, or Master of Science in Urban Studies and Planning programs are eligible for a Certificate in Urban Design if they complete a specific set of subjects drawn from the two departments.
Faculty and Teaching Staff
Ana Miljački, MArch, PhD
Francis Wright Davis Professor
Professor of Architecture
Head, Department of Architecture
Timothy Hyde, MArch, PhD
Professor of the History of Architecture
Associate Head for Academics, Department of Architecture
Professors
Azra Aksamija, MArch, PhD
Professor of Art, Culture and Technology
(On leave, spring)
Judith Barry, MA
Professor of Art, Culture and Technology
Nicholas de Monchaux, MArch
Weber Professor
Professor of Architecture
Professor of Urban Studies and Planning
(On leave)
Arindam Dutta, MArch, PhD
Professor of the History of Architecture
John E. Fernández, MArch
Professor of Architecture and Building Technology
Antón García-Abril, PhD
Professor of Architecture
(On leave)
Renée Green, BA
Professor of Art, Culture and Technology
Mark Jarzombek, PhD
Professor of the History and Theory of Architecture
Caroline A. Jones, PhD
Rudge Professor
Professor of the History of Art
Sheila Kennedy, MArch
Professor of Architecture
Terry W. Knight, PhD
William and Emma Rogers Professor
Professor of Design and Computation
John A. Ochsendorf, PhD
Class of 1942 Professor
Professor of Architecture
Professor of Civil and Environmental Engineering
(On leave, fall)
Nasser Rabbat, MArch, PhD
Aga Khan Professor
Professor of the History of Architecture
(On leave, spring)
Christoph Reinhart, PhD
Alan (1973) and Terri Spoon Professor of Architecture
Professor of Building Technology
(On leave, spring)
Hashim Sarkis, PhD
Killian Professor
Professor of Architecture
Professor of Urban Planning
Dean, School of Architecture and Planning
Lawrence Sass, PhD
Professor of Computation and Design
Member, Institute for Data, Systems, and Society
Rafael (Rafi) Segal, PhD
Professor of Architecture and Urbanism
Kristel Smentek, PhD
Professor of the History of Art
Anne Whiston Spirn, PhD
Cecil and Ida Green Distinguished Professor
Professor of Planning
Professor of Landscape Architecture
George N. Stiny, PhD
Professor of Design and Computation
Associate Professors
Xavi Aguirre, MArch
Germeshausen Career Development Professor
Associate Professor of Architecture
Brandon Clifford, MArch
Class of 1958 Career Development Professor
Associate Professor of Architecture
Yolande Daniels, MArch
Associate Professor of Architecture
Rania Ghosn, DDes
Associate Professor of Architecture and Urbanism
Mark Goulthorpe, BArch
Associate Professor of Design
Miho Mazereeuw, MArch, MLA
Hyman Professor
Associate Professor of Architecture and Urbanism
Caitlin T. Mueller, PhD
Associate Professor of Architecture
Associate Professor of Civil and Environmental Engineering
Takehiko Nagakura, MArch, PhD
Associate Professor of Design and Computation
William O'Brien Jr, MArch
Associate Professor of Architecture
Holly Samuelson, PhD
Fairchild Professor
Associate Professor of Architecture
Rosalyne Shieh, MArch
Class of 1943 Career Development Professor
Associate Professor of Architecture
(On leave)
Nida Sinnokrot, MFA
Ford International Career Development Professor
Associate Professor of Art, Culture and Technology
Skylar Tibbits, SMArchS
Morningside Academy for Design Professor
Associate Professor of Design Research
Gediminas Urbonas, MFA
Associate Professor of Art, Culture and Technology
(On leave)
Assistant Professors
Huma Gupta, PhD
Aga Khan Assistant Professor
(On leave)
Caroline Murphy, SMArchS, PhD
Blackall Professor
Assistant Professor of Architecture
Carrie Norman, MArch
Ford Career Development Professor
Assistant Professor of Architecture
Mariana Popescu, PhD
Class of 1942 Career Development Professor
Assistant Professor of Architecture
Assistant Professor of Electrical Engineering and Computer Science
Professors of the Practice
Angelo Bucci, PhD
Professor of the Practice of Architecture
Associate Professors of the Practice
Marcelo Coehlo
Associate Professor of the Practice of Architecture
J. Jih, MArch
Associate Professor of the Practice of Architecture
Technical Instructors
Christopher B. Dewart, BA
Technical Instructor in Architecture
Jennifer O'Brien, BA
Senior Technical Instructor in Architecture
Research Staff
Research Scientists
Norhan Bayomi, PhD
Research Scientist of Architecture
Jared S. Laucks, MS
Research Scientist of Architecture
Sasha McKinley, MS
Research Scientist of Architecture
Melanie Mitchell, MS
Research Scientist of Architecture
Mayak Ojha, MS
Research Scientist of Architecture
Professors Emeriti
Michael Dennis, BArch
Professor Emeritus of Architecture
Eric J. Dluhosch, MArch, PhD
Professor Emeritus of Building Technology
David Hodes Friedman, PhD
Professor Emeritus of the History of Architecture
Leon R. Glicksman, PhD
Professor Emeritus of Building Technology
Professor Emeritus of Mechanical Engineering
Joan Jonas, MFA
Professor Emerita of Visual Arts
Leslie Keith Norford, PhD
Professor Emeritus of Building Technology
William Lyman Porter, MArch, PhD
Professor Emeritus of Architecture
Adèle Naudé Santos, MArch, MCP, MAUD
Professor Emerita of Architecture
Professor Emerita of Urban Planning
Andrew M. Scott, BArch
Professor Emeritus of Architecture
Jan Wampler, MArch
Professor Emeritus of Architecture
James Wescoat, PhD
Aga Khan Professor Emeritus
Professor Emeritus of Urban Studies and Planning
Krzysztof Wodiczko, MFA
Professor Emeritus of Visual Arts
