Department of Architecture

The Department of Architecture offers degrees at the bachelor, master, and doctoral levels. The department is composed of various discipline groups: Architecture and Urbanism; Building Technology; Computation (COMP); History, Theory and Criticism of Architecture and Art (HTC); and the Art, Culture, and Technology Program (ACT). The Aga Khan Program in Islamic Architecture (AKPIA) is a research group offering its own Master of Science in Architecture Studies and a PhD in association with HTC. The Norman B. Leventhal Center for Advanced Urbanism (LCAU) supports the doctoral program in advanced urbanism in addition to acting as an umbrella for research initiatives and collaborative projects between the Departments of Architecture and Urban Studies and Planning. The varied discipline areas support substantial research activity. 

The department offers seven degree programs: the Bachelor of Science in Architecture (BSA), Bachelor of Science in Art and Design (BSAD), Master of Architecture (MArch), Master of Science in Architecture Studies (SMArchS), Master of Science in Building Technology (SMBT), Master of Science in Art, Culture, and Technology (SMACT), and the Doctor of Philosophy (PhD). The SMArchS and PhD programs offer concentrations in multiple research streams.

Architecture and Urbanism is taught from a broad range of perspectives and scales, from buildings to cities and metropolitan regions. The teaching of the Architecture and Urbanism faculty occurs primarily in the studio. However, workshops, lectures, seminars, and research projects all contribute to architectural education. A broad range of topics are introduced and integrated in the curriculum, including sustainability, computation, materials, fabrication, infrastructure, politics, social engagement, and cultural theory. The architecture design studio is the laboratory where these topics intermingle and students synthesize design concepts. The Architecture and Urbanism area of study offers a BSA, a BSAD, a Minor in Architecture, a Minor in Design, a HASS Concentration in Design, and MArch and SMArchS degrees.

The undergraduate Bachelor of Science in Architecture (BSA) is a pre-professional degree program. The undergraduate studio sequence begins with instruction in design fundamentals and continues with design projects of increasing complexity. It is useful for those seeking a foundation in the field of architecture as preparation for either continued education in a professional degree program or employment options in fields related to architecture and design.  

The Bachelor of Science in Art and Design (BSAD) provides undergraduates with a cohesive program of study that exposes them to cross-disciplinary fields in art and design. It provides a rigorous conceptual foundation along with strong practical skills that can be applied across diverse design domains. Students are introduced to the design process, from concept to completion, through contextual critical thinking, experimentation, representation, and physical production techniques, critique, iteration, and reflection. The objective is to prepare students to pursue diverse career paths from product design and visual communication to information design and 2D and 3D art practices and more. Study in this program enables students to take advantage of emerging opportunities in industry and academia.

The MArch is a three-and-a-half-year graduate degree. This professional degree is structured to educate those who aspire to register and become licensed as architects. Entering MArch students enroll in a three-term core program that is tightly integrated with complementary subjects in design skills, cultures of forms, cultural and theoretical precedents, and materials and construction. Advanced "option" studios give students the opportunity to broaden their experience of culture, contexts, and varying scales for design as well as develop their own attitudes and positions toward architectural production. In thesis, a student develops a hypothesis and design strategy for a comprehensive architectural project or a design research inquiry that is carried out as an independent, critical project—from concept to completion—under the guidance of an advising committee.

Building Technology (BT) includes teaching and applications of the fundamentals of technology as well as research in critical topics for the future of the built environment. The group explores ways to use design and technology to create buildings that contribute to a more humane and environmentally responsible built world. This includes integrated architectural design strategies to improve structural performance, construction, and fabrication technologies; access to daylight and thermal comfort; resource accounting through material flow analysis and life-cycle assessment; building and urban energy modeling, control design, and engineering; and other technologically informed design methods. Through lecture subjects, laboratories, workshops, and independent research projects, students study innovative materials and assemblies, emerging and nontraditional building materials, resource-efficient building systems, innovative analysis and modeling of historic structures, energy-efficient buildings, early-stage design computation and optimization, and various issues of energy and material resources at the urban scale, including urban environmental sensing and the urban heat island effect. Some of the group's research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, or sustainable design. Research facilities of other departments, such as Mechanical Engineering and Civil and Environmental Engineering, are also used in joint research projects. 

This area of study offers SMBT, SMArchS, and doctoral degrees with an emphasis on building technology.

The Computation (COMP) group inquires into the varied nature and practice of computation in architectural design and the ways in which design meaning, intentions, and knowledge are constructed through computational thinking, representing, sensing, and making. The group focuses on the development of innovative computational tools, processes, and theories as well as their application in creative, socially meaningful responses to challenging design problems. Topics taught cover visualization, digital fabrication and construction processes and technologies, shape representation and synthesis, building information modeling, generative and parametric design, critical studies of digital and information technologies, digital heritage, and software and hardware development of advanced tools for spatial design and analysis. Students are encouraged to acquire both the technical skills as well as the theoretical and conceptual foundations to rethink and challenge the limits of current design processes and practices, in addition to considering the social and cultural implications of their positions.

This area of study offers a SMArchS degree and a doctoral program. SMArchS and PhD students are encouraged to take subjects in other relevant departments as a means to explore and develop their interests.

The History, Theory and Criticism of Architecture and Art (HTC) group teaches subjects that deal with the history of architecture, art, and design, strongly emphasizing historiography and analytical methodologies. Subject offerings deal with the social and physical context of the built environment; significant issues in current disciplinary thinking; and the philosophical, political, and material contexts for works of art and architecture. Subjects are taught from the Renaissance to the present, with emphasis on topics of modern art and architecture. The subjects focus on materials that are both abstract and concrete, with scales that range from architectural drawing to art installation to the urban environment. There is a special emphasis on topics of modern art and architecture in Europe as well as the Americas, with a comparable set of offerings on the Islamic world developed by AKPIA faculty and taught within the HTC group.

HTC offers both a HASS concentration and a Minor in the History of Architecture, Art and Design which are open to all MIT undergraduates. There is an SMArchS degree in HTC, and a doctoral program.

The Aga Khan Program for Islamic Architecture (AKPIA) at MIT is a graduate program dedicated to the study of architecture, urbanism, history, landscape, reconstruction, and conservation in the Islamic world. The program prepares students for careers in research, design, and teaching. Topics covered in its curriculum include critical study of the history and historiography of Islamic architecture; the interaction between architecture, society, and culture; and strategies of urban and architectural preservation.

Established in 1979, AKPIA offers students a concentration in Islamic architecture and urbanism as part of the two-year SMArchS degree and the PhD program in HTC. The program also has links with the City Design and Development as well as Environmental Planning and Policy programs in the Department of Urban Studies and Planning, ArchNet, the Aga Khan Programs at Harvard, the Aga Khan Trust for Culture (AKTC), and the Aga Khan Development Network (AKDN).

The Art, Culture, and Technology Program (ACT) promotes leadership in critical artistic practice and invention, developing art as a vital means of experimenting with new registers of knowledge and new modes of valuation and expression. Through an integrated approach to pedagogy, public events programming, exhibitions, and publications, ACT builds a community of artist-thinkers exploring art's complex relationship to culture and technology.

Research and pedagogy are intertwined, and MIT's culture of scientific inquiry informs all artistic arenas (cinema, video, sound, performance, photography, experimental media, and new genres); conceptual, sculptural, and spatial experiments; interventions in public spaces; and writings and publications. ACT emphasizes experimentation and transdisciplinary approaches to studio production in both traditional and new media. Students are required to learn the techniques and applications of computational-based design, production, and advanced representation. Other computation subjects and studio work permit further experimentation with modeling techniques, graphic representations, design methods, technical analysis, prototyping, and assistance with the design process.  Students consider both the physical and the cultural context of their artworks/projects as central to their interpretation. Presentations on contemporary art, discussions in theory and criticism, and an understanding of research-based artistic practice complement studio production.

ACT offers a HASS minor, a HASS concentration, and a two-year graduate program leading to an SM.

Inquiries

Further information concerning undergraduate and graduate academic programs in the department, admissions, financial aid, and assistantships may be obtained from the Department of Architecture, Room 7-337 or by emailing arch@mit.edu.

Undergraduate Study

The Department of Architecture offers two undergraduate courses of study. They provide a broad undergraduate education for students who have clear professional goals and for those who desire a solid foundation for a number of possible careers. Course 4 leads to the Bachelor of Science in Architecture and Course 4-B leads to the Bachelor of Science in Art and Design.

Bachelor of Science in Architecture (Course 4)

Course 4 offers a program introducing students to architecture through the department's five discipline areas: art, culture, and technology; architectural design and urbanism; building technology; design and computation; and history, theory and criticism of architecture, art and design.

The requirements for the SB in Architecture (BSA) curriculum begin with two introductory subjects taken in sequence, 4.021  and 4.022 , intended for sophomores. The remaining core subjects include introductory study in the five discipline areas.

The BSA includes two sequential architecture design studios. The approach fosters investigation and discussion in the development of sensitivity to the built environment. These sensibilities are linked to values and responsibilities to the community at large. Students in design studios develop technical and analytical skills and learn synthesis and invention using the elements of architectural form: material, structure, construction, light, sound, memory, and place. A thesis is completed during the senior year.

This program prepares students for future studies in a professional Master of Architecture (MArch) program.

Bachelor of Science in Art and Design (Course 4-B)

The Bachelor of Science in Art and Design (BSAD) provides undergraduates with a cohesive program of study that exposes them to cross-disciplinary fields in art and design. It provides a rigorous conceptual foundation along with strong practical skills that can be applied across diverse design domains. Students will be introduced to the design process, from concept to completion, through contextual critical thinking, experimentation, representation, and physical production techniques, critique, iteration, and reflection. The objective is to prepare students to pursue diverse career paths from product design to visual communication to information design to 2D and 3D art practices and more. Study in this program will enable students to take advantage of emerging opportunities in industry and academia.

The requirements for the BSAD curriculum begin with two introductory subjects taken in sequence, 4.021  and 4.053 , intended for sophomores. A choice of a third design studio is taken in the junior year along with four additional core foundational subjects in design, art, computation, and history. The remaining four requirements are selected from a list of interdisciplinary subject offerings grouped around the following themes: objects, information, and art and experience. A thesis preparation subject is required and a thesis is presented in the senior year.

Minor in Architecture

The requirements for a Minor in Architecture are as follows:

4.021Design Studio: How to Design9-12
or 4.02A Design Studio: How to Design Intensive
4.022Introduction to Architectural Design Techniques12
Choose one of the following options:48
Option 1
Architecture Design Studio I
Select two from the list of elective subjects below
Option 2
Select four from the list of elective subjects below
Total Units69-72
Elective Subjects
Architecture and Urbanism
4.041Design Studio: Advanced Product Design12
4.053Visual Communication Fundamentals12
4.211[J]The Once and Future City12
4.218Disaster Resilient Design12
4.250[J]Introduction to Urban Design and Development12
Art, Culture and Technology
4.301Introduction to Artistic Experimentation12
4.302Foundations in Art, Design, and Spatial Practices12
4.307Art, Architecture, and Urbanism in Dialogue12
4.322Introduction to Three-Dimensional Art Work12
4.341Introduction to Photography and Related Media12
4.344Advanced Photography and Related Media12
4.354Introduction to Video and Related Media12
4.356Cinematic Migrations12
4.368Studio Seminar in Art and the Public Sphere12
4.373Advanced Projects in Art, Culture, and Technology12
Building Technology
4.401Environmental Technologies in Buildings12
4.411[J]D-Lab Schools: Building Technology Laboratory12
4.432Modeling Urban Energy Flows for Sustainable Cities and Neighborhoods12
4.440[J]Introduction to Structural Design12
4.451Computational Structural Design and Optimization12
Computation
4.500Design Through Computation and Making12
4.501Tiny Fab: Advancements in Rapid Design and Fabrication of Small Homes12
4.502Advanced Visualization: Architecture in Motion Graphics12
4.507Introduction to Building Information Modeling in Architecture12
4.520Visual Computing12
History and Theory of Architecture, Art and Design
4.601Introduction to Art History12
4.602Modern Art and Mass Culture12
4.603Understanding Modern Architecture12
4.605A Global History of Architecture12
4.609Seminar in the History of Art, Architecture, and Design12
4.614Introduction to Islamic Architecture12
4.635Early Modern Architecture and Art12
4.636Topics in European Medieval Architecture and Art12
4.651Art Since 194012
4.657Design: The History of Making Things12

Minor in Art, Culture, and Technology

The HASS Minor in Art, Culture, and Technology is designed to explore the conjunction of art with culture, science, technology, and design, and to develop critical and production practices.

The minor consists of six subjects arranged into three levels of study and chosen as follows:

Tier I
4.301Introduction to Artistic Experimentation12
or 4.302 Foundations in Art, Design, and Spatial Practices
Select one of the following:12
Introduction to Art History
Modern Art and Mass Culture
Early Modern Architecture and Art
Topics in European Medieval Architecture and Art
19th-Century Art: Painting in the Age of Steam
Art Since 1940
Design: The History of Making Things
Tier II
Select two of the following:24
Introduction to Sound Creations
Introduction to Three-Dimensional Art Work
Introduction to Photography and Related Media
Introduction to Video and Related Media
Tier III
Select two of the following:18-24
Advanced Workshop in Artistic Practice and Transdisciplinary Research
Advanced Photography and Related Media
Advanced Video and Related Media
Cinematic Migrations
Performance Art Workshop
Studio Seminar in Art and the Public Sphere
Advanced Projects in Art, Culture, and Technology
Total Units66-72

Minor in Design

The Minor in Design provides undergraduates with a cohesive program of study that exposes them to the cross-disciplinary field of design. The minor provides a rigorous conceptual foundation in design along with strong design skills. Students will be introduced to design from concept to completion through contextual critical thinking, experimentation, representation, and physical production techniques, critique, iteration and reflection. The minor prepares students to pursue diverse career paths or further education in multiple areas of design, from product design to 3D design to visual communication, and enables them to take advantage of emerging opportunities in industry and academia.

The minor consists of six subjects:

Required Subjects
Design Studios
4.021Design Studio: How to Design9-12
or 4.02A Design Studio: How to Design Intensive
4.053Visual Communication Fundamentals12
4.031Design Studio: Objects and Interaction 112
or 4.032 Design Studio: Information Design and Visualization
Electives
Select 30-36 units of the following (from any category):30-36
Objects
Designing for the Future: Earth, Sea, and Space
Toy Product Design
Introduction to Design
Design and Manufacturing I 2
Design and Manufacturing II
The Product Engineering Process 2
D-Lab: Design for Scale
Medical Device Design
Design Studio: Objects and Interaction 1
Design Studio: Advanced Product Design
Design Studio: Interaction Intelligence
Design Across Scales and Disciplines
Creative Computation
Computational Structural Design and Optimization
Tiny Fab: Advancements in Rapid Design and Fabrication of Small Homes
Design: The History of Making Things
D-Lab: Design 2
Information
Design Studio: Information Design and Visualization 1
The Human Factor in Innovation and Design Strategy
Design Through Computation and Making
Advanced Visualization: Architecture in Motion Graphics
Visual Computing
Software Design 2
Computer Graphics 2
Digital and Computational Photography 2
Introduction to Design Thinking and Innovation in Engineering
Interactive Data Visualization and Society
Visual Design 2
Data Storytelling Studio
Digital Humanities: Topics, Techniques, and Technologies
Art and Experience
Introduction to Artistic Experimentation
Foundations in Art, Design, and Spatial Practices
Art, Architecture, and Urbanism in Dialogue
Introduction to Sound Creations
Introduction to Three-Dimensional Art Work
Introduction to Photography and Related Media
Introduction to Video and Related Media
Modern Art and Mass Culture
Fundamentals of Theater Design
Drawing for Designers
Interactive Design for Live Performance
Total Units63-72
1

4.031 or 4.032 may be used as restricted elective if not selected as part of the design studio requirement.

2

Subject has prerequisites that are outside of the program.

Minor in the History of Architecture, Art and Design

The HASS Minor in the History of Architecture, Art and Design is designed to enable students to concentrate on the historical, theoretical, and critical issues associated with artistic and architectural production. Introductions to the historical frameworks and stylistic conventions of art and architectural history are followed by more concentrated study of particular periods and theoretical problems in visual culture and in cultural history in general.

The minor consists of six subjects arranged into three levels of study and chosen as follows:

Tier I 1
4.601Introduction to Art History12
or 4.602 Modern Art and Mass Culture
4.605A Global History of Architecture12
or 4.614 Introduction to Islamic Architecture
Tier II
Select three from the lists below, including at least one from each category:36
History of Architecture and Design
Understanding Modern Architecture
A Global History of Architecture 1
Introduction to Islamic Architecture 1
Design: The History of Making Things
History of Art
Introduction to Art History 1
Modern Art and Mass Culture 1
Early Modern Architecture and Art
Topics in European Medieval Architecture and Art
19th-Century Art: Painting in the Age of Steam
Art Since 1940
Tier III
Select one of the following:12
Seminar in the History of Art, Architecture, and Design
Other advanced seminar in the history of art, design and/or architecture, including offerings from Harvard or Wellesley, with permission of the HASS Minor Advisor and the instructor.
Total Units72
1

Can satisfy part of Tier I or Tier II requirement, but not both.

For a general description of minors, see Undergraduate Education.

Graduate Study

The Department of Architecture offers five graduate degree programs—the Master of Architecture (MArch), Master of Science in Architecture Studies (SMArchS), Master of Science in Building Technology (SMBT), Master of Science in Art, Culture, and Technology (SMACT), and the Doctor of Philosophy (PhD).

Master of Architecture

The professional Master of Architecture (MArch) degree program—structured to educate those who aspire to registration and licensure as architects—is diverse and open-ended, with many avenues of appropriate research and practice of architecture available. Areas of faculty inquiry include materials, fabrication, and technology; drawing and geometry; theory and criticism; sustainability and climate change; and culture in an age of rapid change and globalization. Additional areas of concern include design as it engages related disciplines aligned with architectural production; the environment as an ecologically structured phenomenon; the fabrication processes of building; new technologies and their impact on practice; and the spatial, temporal, social, and urban contexts of buildings. Given the varied perspectives from which the curriculum is conceived, an important aspect of the student's development is the ability to establish links between different areas of focus and architecture's many disciplines.

The general requirements for the MArch degree are cited in the section on General Degree Requirements for graduate students. The MArch degree program comprises graduate-level architecture design studios and supporting subjects central to the curriculum. The professional curriculum specifies that students study a range of subjects in several interrelated fields, and required and elective subjects in the department's various discipline groups and in related departments offer multiple paths for future professional possibilities. 

The three-term core program is tightly integrated with complementary subjects in design skills, cultures of form, cultural and theoretical precedents, and materials and construction. Advanced "option" studios give students the opportunity to broaden their experience of culture, contexts, and varying scales for design, and to develop their own attitudes and positions toward architectural production. Students are expected to develop a cohesive structure for their individual educational interests within the MArch program beyond the core curriculum and toward the development of a design thesis. In thesis, a student develops a hypothesis and design strategy for a comprehensive architectural project or a design research inquiry that is carried out as an independent, critical project—from concept to completion—under the guidance of an advising committee.

The Master of Architecture is awarded upon the satisfactory completion of an approved program of at least 282 units and an acceptable thesis. The program requires three-and-a-half academic years of residence.

Accreditation for MArch Programs in the United States

Most state registration boards require a degree from an accredited professional degree program as a prerequisite for licensure. The National Architectural Accrediting Board (NAAB), which is the sole agency authorized to accredit US professional degree programs in architecture, recognizes three types of degrees: the Bachelor of Architecture, the Master of Architecture, and the Doctor of Architecture. A program may be granted a six-year, three-year, or two-year term of accreditation, depending on the extent of its conformance with established educational standards. Doctor of Architecture and Master of Architecture degree programs may consist of a preprofessional undergraduate degree and a professional graduate degree that, when earned sequentially, constitute an accredited professional education. However, the preprofessional degree is not, by itself, recognized as an accredited degree. The Massachusetts Institute of Technology Department of Architecture offers one NAAB-accredited degree program: MArch (non-preprofessional degree plus 282 units and an acceptable 24-unit thesis). The next accreditation visit is in 2031.

Master of Science in Architecture Studies

The Master of Science in Architecture Studies (SMArchS) is a two-year degree program of advanced study founded on research and inquiry in architecture as a discipline and as a practice. The program is intended both for students who already have a professional degree in architecture and those interested in advanced non-professional graduate study. The degree may be pursued in one of six concentration areas described below. Students select one area as their intellectual home but are encouraged to explore connections in their research across the other areas as well as beyond—to other programs and departments throughout MIT. SMArchS students work closely with one or more instructors who guide them in planning their course of study and direct them purposefully towards a thesis. Notable strengths of the program are its range of concentration areas, its curricular flexibility, and cross-disciplinary research focus, as well as its high instructor-to-student ratio.

The Aga Khan Program for Islamic Architecture (APKIA) at MIT is dedicated to the study of architecture, urbanism, art, art and architectural history, landscape, reconstruction, and conservation in the Islamic world. The program prepares students for careers in research, art and architectural practice, and teaching. Topics covered in its curriculum include critical study of the history and historiography of Islamic architecture; urbanism in the Global South; the interaction between architecture, society, and culture; critical art practice; and heritage studies and strategies of urban and architectural preservation.

The Architectural Design concentration nurtures research that contributes to current thinking about design in the field of architecture. It aims to advance architectural design by cultivating lateral thinking between design expertise and a range of allied fields, such as material sciences, media arts and technology, cultural studies, computation, sustainability, and emerging fabrication protocols. This concentration provides opportunity for designers to explore theoretical foundations of architectural design as well as its pedagogy, and to provide a platform for applied research and new forms of design practice.

Building Technology focuses on the intersection of design and technical issues for buildings that positively contribute to a more humane and environmentally responsible built world. Research within the group includes integrated architectural and urban design strategies to improve structural performance, construction and fabrication technologies, access to daylight and thermal comfort, resource accounting through material flow analysis and the life-cycle assessment, building and urban energy modeling, control design and engineering, and other technologically informed design methods. Some of the research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, sustainable design.

The Computation and Design group inquires into the varied nature and practice of computation in architectural design and the ways in which design meaning, intention, and knowledge are constructed through sensing, thinking, and making computationally. It focuses on developing innovative computational tools, processes, and theories, and applying them in creative and socially meaningful responses to challenging design problems.

SMArchS students in History, Theory and Criticism of Architecture and Art (HTC) will expand upon prior experience (which can be in design, theory, history, practice, or other post-undergraduate work) to explore compelling research that links historical or contemporary topics with methodological issues. Working alongside doctoral students in the program, SMArchS HTC students are exposed to a wide range of historical periods and theoretical approaches. It is expected that research topics will be developed in close discussion with HTC faculty, building on the required methodology seminar (taken twice) to clarify the appropriate scope and original sources required for the master's thesis. The HTC program is interdisciplinary, and students are expected to enrich their core disciplines of history and theory with inquiry into other fields as appropriate for their research interests. Opportunities occasionally emerge for HTC students to become involved in editing, organizing research symposia, or preparing exhibitions; students will also be brought into discussion with colleagues from across the discipline groups in the SMArchS program.

In Urbanism, research and design methods are employed to create new knowledge about cities and metropolitan regions as well as contribute to contemporary thinking and research on the future of cities and the urban environment at large. The concentration encompasses the theory and practice of urban design. This concentration has close collaboration with the Department of Urban Studies and Planning's City Design program and with the Norman B. Leventhal Center for Advanced Urbanism.

Simultaneous Master's Degrees in Architecture and City Planning

Students admitted to the Department of Architecture can propose a program of joint work in Architecture and Urban Studies and Planning that will lead to the simultaneous award of two degrees. Degree combinations may be MArch/Master in City Planning (MCP) or SMArchS/MCP. SMArchS students must apply by the January admissions of their first year at MIT. MArch students must apply during their second year. Students are considered during the regular admissions process. All candidates for simultaneous degrees must meet the requirements of both programs, but may submit a joint thesis. Neither the Department of Architecture nor the Department of Urban Studies and Planning support study plans for the simultaneous award of two Masters degrees with less than one or two regular semesters (fall and spring terms only) of residence and registration beyond the time required to complete the first degree.

Master of Science in Building Technology

This program provides a focus for graduate students interested in the development and application of advanced technology for buildings and cities. Students in this program take relevant subjects in basic engineering disciplines along with subjects that apply these topics to the built environment. The program is open to qualified students with a degree in engineering or in architecture. The latter group may also consider the Master of Science in Architecture Studies Program with a concentration in Building Technology.

The program concentrates on the development of the next generation of technology for the built environment as well as the innovative application of state-of-the-art concepts to building and urban systems. Research topics within the group include integrated architectural and urban design strategies to improve structural performance, construction and fabrication technologies, access to daylight and thermal comfort, resource accounting through material flow analysis and life-cycle assessment, building and urban energy modeling, control design and engineering as well as other technologically-informed design methods. Some of the research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, and sustainable design.

The SMBT degree is generally completed in two years and requires 66 units of coursework and the completion of an acceptable thesis.

Master of Science in Art, Culture, and Technology

The Art, Culture, and Technology Program (ACT) encompasses an academic degree program and a research center that facilitates artist-thinkers' exploration of art's broad, complex, global history in conjunction with culture, science, technology, and design via rigorous critical artistic practice and practice-driven theory. It focuses on individual and collaborative forms and media, including cinema, video, sound, performance, photography, experimental media and new genres, writings and publications, and conceptual, sculptural, and spatial experiments. Emphasis is also placed on critical thinking, knowledge mining, creative engagement, and the exploration of changing public and private spheres. Participation in faculty research, collaborations within the Institute, connections with visitors, and an ongoing studio seminar provide students with many opportunities to develop and exchange ideas. ACT maintains the Center for Advanced Visual Studies (CAVS) Special Collection, which preserves the legacy of the center and serves as a resource for scholars.

The Master of Science in Art, Culture, and Technology requires four semesters of on-campus academic work, including 135 units of coursework and the completion of a written thesis. For more information, visit the ACT website.

Doctor of Philosophy

The PhD in Architecture may be pursued in one of the following areas: History and Theory of Architecture/History and Theory of Art; Building Technology; or Design and Computation.

The PhD in Architecture may be pursued in one of the following areas: History and Theory of Architecture/History and Theory of Art; Building Technology; or Design and Computation.

The PhD program in History, Theory and Criticism of Architecture and Art emphasizes the study of art, architecture, and urbanism, together with the historical and methodological issues that inform or link conceptual and practical work. The Aga Khan Program for Islamic Architecture is part of this doctoral program.

The doctoral program in Building Technology concentrates on the development of the next generation of technology for the built environment as well as the innovative application of state-of-the-art concepts to building and urban systems. Research topics within the group include integrated architectural and urban design strategies to improve structural performance, construction and fabrication technologies, access to daylight and thermal comfort, resource accounting through material flow analysis and life cycle assessment, building and urban energy modeling, control design and engineering as well as other technologically-informed design methods. Some of the research is organized through laboratories dedicated to digital structures, urban metabolism, developing countries, and sustainable design.

The PhD program in Design and Computation is broadly conceived around computational ideas and digital technologies as they pertain to the understanding, description, generation, and construction of architectural form. Research topics include the mathematical foundations of shape and shape representation; generative tools for design synthesis; advanced modeling and visualization techniques; rapid prototyping and CAD/CAM technologies for physical fabrication; and the analysis of the design process and its enhancement through supporting technologies and workspaces. The mission of the program is to enrich design from a computational perspective, with clear implications for teaching and practice.

Admission and degree requirements vary somewhat in the specific areas listed above, and may be obtained from the Department of Architecture website or in correspondence with the separate areas. The residency requirement for the PhD is a minimum of two full academic years. Completion of all of the requirements for the PhD—including the dissertation—is usually accomplished in four to six years.

Each student admitted to work in the doctoral program consults closely with one principal professor in his or her area to develop a general plan of study. In all three areas, progress toward the PhD follows a sequence of required subject work, general examinations, and dissertation research, writing, and defense. Students are encouraged to take subjects appropriate to their study plans in other departments at MIT and at Harvard.

The Norman B. Leventhal Center of Advanced Urbanism (LCAU), the Department of Architecture, and the Department of Urban Studies and Planning (DUSP) have established a collaborative doctoral-level certificate program in Advanced Urbanism. At MIT, we speak of advanced urbanism as the field that integrates research on urban design, urbanization, and urban culture. The concentration in Advanced Urbanism is designed for those who have at least one professional design degree (in architecture, landscape architecture, urban design, etc.) and research interests in urbanism that would align with those of both architecture and urban studies and planning faculty. Admissions applications are submitted to either Building Technology; Design and Computation; History, Theory and Criticism of Architecture and Art; or the DUSP PhD program and must meet all specific admissions requirements of each respective PhD program. Admissions committees nominate applicants who fit the urbanism program to a joint advanced urbanism admissions committee. The selected applicants are admitted by their home department discipline group and fulfill all degree requirements of that discipline plus additional requirements for the Advanced Urbanism concentration. Tuition support and research assistantships are provided by LCAU. Additional information can be found on the LCAU website.

Urban Design Certificate

The Department of Architecture and the Department of Urban Studies and Planning jointly offer a Certificate in Urban Design. The purpose of the program is to provide the fundamental knowledge and special skills required to design urban and suburban environments. Students in the MArch, SMArchS, MCP, or Master of Science in Urban Studies and Planning programs are eligible for a Certificate in Urban Design if they complete a specific set of subjects drawn from the two departments. 

Faculty and Teaching Staff

Ana Miljački, MArch, PhD

Francis Wright Davis Professor

Professor of Architecture

Head, Department of Architecture

Timothy Hyde, MArch, PhD

Professor of the History of Architecture

Associate Head for Academics, Department of Architecture

Professors

Azra Aksamija, MArch, PhD

Professor of Art, Culture and Technology

(On leave, spring)

Judith Barry, MA

Professor of Art, Culture and Technology

Nicholas de Monchaux, MArch

Weber Professor

Professor of Architecture

Professor of Urban Studies and Planning

(On leave)

Arindam Dutta, MArch, PhD

Professor of the History of Architecture

John E. Fernández, MArch

Professor of Architecture and Building Technology

Antón García-Abril, PhD

Professor of Architecture

(On leave)

Renée Green, BA

Professor of Art, Culture and Technology

Mark Jarzombek, PhD

Professor of the History and Theory of Architecture

Caroline A. Jones, PhD

Rudge Professor

Professor of the History of Art

Sheila Kennedy, MArch

Professor of Architecture

Terry W. Knight, PhD

William and Emma Rogers Professor

Professor of Design and Computation

John A. Ochsendorf, PhD

Class of 1942 Professor

Professor of Architecture

Professor of Civil and Environmental Engineering

(On leave, fall)

Nasser Rabbat, MArch, PhD

Aga Khan Professor

Professor of the History of Architecture

(On leave, spring)

Christoph Reinhart, PhD

Alan (1973) and Terri Spoon Professor of Architecture

Professor of Building Technology

(On leave, spring)

Hashim Sarkis, PhD

Killian Professor

Professor of Architecture

Professor of Urban Planning

Dean, School of Architecture and Planning

Lawrence Sass, PhD

Professor of Computation and Design

Member, Institute for Data, Systems, and Society

Rafael (Rafi) Segal, PhD

Professor of Architecture and Urbanism

Kristel Smentek, PhD

Professor of the History of Art

Anne Whiston Spirn, PhD

Cecil and Ida Green Distinguished Professor

Professor of Planning

Professor of Landscape Architecture

George N. Stiny, PhD

Professor of Design and Computation

Associate Professors

Xavi Aguirre, MArch

Germeshausen Career Development Professor

Associate Professor of Architecture

Brandon Clifford, MArch

Class of 1958 Career Development Professor

Associate Professor of Architecture

Yolande Daniels, MArch

Associate Professor of Architecture

Rania Ghosn, DDes

Associate Professor of Architecture and Urbanism

Mark Goulthorpe, BArch

Associate Professor of Design

Miho Mazereeuw, MArch, MLA

Hyman Professor

Associate Professor of Architecture and Urbanism

Caitlin T. Mueller, PhD

Associate Professor of Architecture

Associate Professor of Civil and Environmental Engineering

Takehiko Nagakura, MArch, PhD

Associate Professor of Design and Computation

William O'Brien Jr, MArch

Associate Professor of Architecture

Holly Samuelson, PhD

Fairchild Professor

Associate Professor of Architecture

Rosalyne Shieh, MArch

Class of 1943 Career Development Professor

Associate Professor of Architecture

(On leave)

Nida Sinnokrot, MFA

Ford International Career Development Professor

Associate Professor of Art, Culture and Technology

Skylar Tibbits, SMArchS

Morningside Academy for Design Professor

Associate Professor of Design Research

Gediminas Urbonas, MFA

Associate Professor of Art, Culture and Technology

(On leave)

Assistant Professors

Huma Gupta, PhD

Aga Khan Assistant Professor

(On leave)

Caroline Murphy, SMArchS, PhD

Blackall Professor

Assistant Professor of Architecture

Carrie Norman, MArch

Ford Career Development Professor

Assistant Professor of Architecture

Mariana Popescu, PhD

Class of 1942 Career Development Professor

Assistant Professor of Architecture

Assistant Professor of Electrical Engineering and Computer Science

Professors of the Practice

Angelo Bucci, PhD

Professor of the Practice of Architecture

Associate Professors of the Practice

Marcelo Coehlo

Associate Professor of the Practice of Architecture

J. Jih, MArch

Associate Professor of the Practice of Architecture

Technical Instructors

Christopher B. Dewart, BA

Technical Instructor in Architecture

Jennifer O'Brien, BA

Senior Technical Instructor in Architecture

Research Staff

Research Scientists

Norhan Bayomi, PhD

Research Scientist of Architecture

Jared S. Laucks, MS

Research Scientist of Architecture

Sasha McKinley, MS

Research Scientist of Architecture

Melanie Mitchell, MS

Research Scientist of Architecture

Mayak Ojha, MS

Research Scientist of Architecture

Professors Emeriti

Michael Dennis, BArch

Professor Emeritus of Architecture

Eric J. Dluhosch, MArch, PhD

Professor Emeritus of Building Technology

David Hodes Friedman, PhD

Professor Emeritus of the History of Architecture

Leon R. Glicksman, PhD

Professor Emeritus of Building Technology

Professor Emeritus of Mechanical Engineering

Joan Jonas, MFA

Professor Emerita of Visual Arts

Leslie Keith Norford, PhD

Professor Emeritus of Building Technology

William Lyman Porter, MArch, PhD

Professor Emeritus of Architecture

Adèle Naudé Santos, MArch, MCP, MAUD

Professor Emerita of Architecture

Professor Emerita of Urban Planning

Andrew M. Scott, BArch

Professor Emeritus of Architecture

Jan Wampler, MArch

Professor Emeritus of Architecture

James Wescoat, PhD

Aga Khan Professor Emeritus

Professor Emeritus of Urban Studies and Planning

Krzysztof Wodiczko, MFA

Professor Emeritus of Visual Arts